There is much feeling in this composition. Tears stand at the brink of my lashes, waiting for me to recline and then be freed. The mountain in the image is Mount Hood, Oregon. She is known to the Multnomah people as Wy’east.
A fortnight ago, as the sun set over Wy'east, I returned to my own home in the shadow of mighty Tacobet. I'd given my heart in love. In return I was offered harsh and diminishing scorn. I set my fences and thought for a time.
Even after a sleep my path was clear – to walk away and to retake the yoke I’d gathered up a score of years prior. I would become one with my children again.
I told him we were through. He accepted my decision and we spoke the words of fair separation.
And so I gathered my pens and my pencils and my sketchbooks, and slipped back into my kitchen, and reconnected with my now adult children. My heart was filled with sadness and anger but yet I had gained something. I knew now my worth, and my attractiveness. I could see the light burning in mens’ and womens’ eyes and I could recognize it for what it was – desire.
Now would come a time of grieving and rest and healing, but this heart is made for love. It will be held again, make no mistake. Perhaps next time by more deserving hands.
Wy’east bade me farewell, knowing that I would yet flit beneath her shadow from time to time, and sharing with me the pain felt by a heart touched by angry souls.
This is the final piece, the centerpiece, of the Vancouver Movements collection. It is meant to be displayed on a prim face at least 4m square but it can be expanded and retain its detail. I recommend setting the glow to 0.02 and you may wish to set it to full bright as well.
Unless otherwise specified all Cascadia Glass textures are sold "copy/modify" with no transfer rights.
To discuss purchase of full permission textures please contact me at kathrynm1000@gmail.com
Ver el artículo en Second Life- Original Art- 1024x1024 texture
- Semi-Opaque Stained Glass
