Maganda! Sears Style Craftsman House (Boxed)

MAGANDA HOMES
(Formerly Jadyn Firehawk Historical Homes)

1915 Sears Style Craftsman House
Americana Series

Based on a house built by Jadyn Firehawk, which won 1st Place in the 2009 Frank Lloyd Wright Virtual Museum's Craftsman Build-Off competition.

145 Land Impact

Footprint: 20m x 30m
Fits a 1024 square-meter parcel (32m x 32m) minimum

Historically authentic and beautifully textured, with plenty of room to accommodate the SL camera height and angle. Great attention to detail, with built-in elements like stained hardwood wainscoating and tapered square columns, and William Morris wallpaper and Scheele's green paint from the Victorian era.

See it inworld, and discover the beautiful Yosemite sim while you're there!

Maganda Arts, by Jadyn Firehawk. From the Filipino word for "beautiful," at Maganda Arts you will find gorgeous treasures of all kinds. Artfully made, crafted with care. Maganda!

Comes with a free Bonus Yard Pack, which contains:

1 Picket Fence Long Section (1 prim)
1 Picket Fence Short Section (1 prims)
1 Picket Fence Gate Section (3 prims)
4 Green Trees (1 prim each)
4 Autumn Trees (1 prim each)
4 Flowering Plants (1 prim each)
1 Green Grass (1 prim)
1 Autumn Grass (1 prim)

All items are Mod/Copy/No Trans

ABOUT THE CRAFTSMAN HOUSE STYLE
(Source: Wikipedia)

The American Craftsman Style, or the American Arts and Crafts Movement, is an American domestic architectural, interior design, and decorative arts style popular from the last years of the 19th century through the early years of the 20th century. As a design movement, its popularity remained strong until the 1930s, although in the decorative arts it continues to experience numerous revivals until the present day.

The American Craftsman style has its origins in the earlier British Arts and Crafts movement which dates back to the 1860s. The British movement, which spawned a wide variety of related but conceptually very distinct design movements throughout Europe, was a reaction to the degradation of the dignity of human labor resulting from the Industrial Revolution. In many ways it was a reaction against the over-decorated aesthetic and disregard for the worker of the Victorian era. Seeking to ennoble the craftsman once again, the movement emphasized the hand-made over the mass-produced.

While the British movement was a Victorian-era phenomenon, its translation to the American setting took place precisely at the moment when that era was coming to a close. It can be said that the American movement was also a design reform movement that encouraged originality, simplicity of form, local natural materials, and the visibility of handicraft, and was concerned with ennobling the more modest home of the rapidly expanding American middle class.